COOKIE POLICY - PRIVACY POLICY by IUBENDA Questo sito utilizza cookie per funzioni proprie. Se non acconsenti all'uso dei cookie ti preghiamo di abbandonare il sito.Se continui nella navigazione o clicchi su un elemento della pagina accetti il loro utilizzo. Our website uses cookies. If you do not consent to the use of these cookies please leave this website. Scrolling this page or clicking on any of its elements you will consent to the use of cookie. Politique de confidentialité de immagine.poesia.over-blog.it/ Pour recevoir des informations sur les Données personnelles, les objectifs et les parties avec qui elles sont partagées, veuillez contacter le Propriétaire. Si vous désirez recevoir de plus amples informations et souhaitez vous renseignez sur vos droits, vous pouvez aussi consulter la version complète de cette Politique de Confidentialité en cliquant sur le lien au bas de cette page. Coordonnées Propriétaire et Responsable du traitement Lidia Chiarelli, Torino Courriel de contact du Propriétaire : immagine.poesia@gmail.com Dernière mise à jour : 31 mai 2018 iubenda héberge le présent contenu et ne collecte que les Données personnelles strictement nécessaires à sa fourniture Voir la Politique de confidentialité complète Politique de Confidentialité générée avec iubenda Immagine & Poesia is the international artistic literary movement founded in Torino, Italy, in 2007, under the Patronage of the late Aeronwy Thomas, daughter of Dylan Thomas.The Movement is open to artists, poets and music composers who want to experiment moments of “Cross Fertilization”.Since its inception, Immagine & Poesia has continued to grow. Hundreds of poets and artists from all over the world have participated, and the movement now reaches international audiences.
14 Dicembre 2012
(copyright Vitor Mohinos)
Link: http://www.vitormoinhos.com/
THE DOOR
I can see the door
the other side of the room
it is not the one
I entered from
but it is the door
I have to leave by
it is made from oak
and as I walk
towards it
I note there’s
a brass handle
to pull down
in order to leave
the room with
two doors
and many windows
with views
of garden
and hills beyond
walkers like ants
dot the landscape
I can see all this
as I approach
very slowly
the door marked exit
in letters
of polished brass
I hadn’t noticed before
where I bend
ready to peer
through the keyhole
in every window
faces
appear
unfriendly
warning
not to look
through the door
so I stand
hesitant
until they disappear
and the walkers
are there once more
I see them
through the windows
and want to join them
so pull down
the handle
and the heavy door
swings back
I step through
in the hope
that the garden
and the hills
glimpsed through
the glass
will still be there
the other side
of the door
AERONWY THOMAS